Pick a video from the asset library. Code first measures every cut and each shot's motion (free, not guessed by a model) and grabs two frames per shot into contact sheets; optionally transcribe the speech so lines are assigned to each shot by timecode. A vision model then judges framing, camera work, transitions and rhythm shot by shot, and writes a picture description plus a storyboard prompt to recreate it (up to 25 shots per call; code reconciles afterwards: out-of-vocabulary words are dropped, and camera moves the pixels don't show are corrected and recorded). Code produces the shot-list report, a model writes the breakdown (structure, pacing curve, hook, reusable techniques), and it is saved as a note and handed over. Cost: no extra spend per shot, 25 shots per vision call — a one-minute, 30-shot video costs two vision calls plus one chat call for the summary. The starting point is a video already in the asset library; to break down a link, import it into the library first with Import from link.
Turn a topic into a creative brief, script and visual bible; characters and locations already in the asset library are reused with their references, and only new ones get a turnaround sheet or concept art — saved to the library — auto-build a 3D blockout with each shot's camera position and move, then generate each shot from a first frame (and a last frame where needed) painted on the blockout — or straight from the turnarounds and the blockout camera move — and assemble, caption and export the video. Cost: by default up to 8 shots, each one video generation plus one or two keyframe images, on top of up to 7 turnaround and location images (none for those already in the library), 5 chat calls and per-shot narration — the most expensive template here; max_shots on the start node caps the shot count, and shot_seconds sets each shot's length (preset to the length the chosen video model can make that is closest to its default).
Remove background hiss, transcribe the video with timestamps, identify pauses, fillers and repetition, then create a cut plan and a cleaned video while preserving the original. Suited to talks and interviews up to about 30 minutes; split longer footage first.
Transcribe a video sentence by sentence, translate each line, lay translated subtitles on the original timecodes, then dub each line and time-compress it back into its own slot. Pick the target language on the translate step (English by default). The original voice is separated out and the background music kept; a voice separation engine must be ready before the workflow starts.
