From one flat-lay or fabric photo, plan a few sellable scenes (up to 12) and shoot a portrait on-model image for each; where a video model is available, put every scene in motion with that image as its first frame. The product photo is carried into every generation — cut, colour, texture and logo come from it, not from a description. Images and clips are filed into one project and the copy lines are saved as a note. Each scene is one paid image generation (plus one video generation with motion). This copy includes “Put this scene in motion”. Without a video model, delete “Put this scene in motion” and “File this scene's clip” on the canvas after importing and it shoots stills only — the loop hands over the on-model images and doesn't depend on those two.
Turn a topic into a creative brief, script and visual bible; characters and locations already in the asset library are reused with their references, and only new ones get a turnaround sheet or concept art — saved to the library — auto-build a 3D blockout with each shot's camera position and move, then generate each shot from a first frame (and a last frame where needed) painted on the blockout — or straight from the turnarounds and the blockout camera move — and assemble, caption and export the video. Cost: by default up to 8 shots, each one video generation plus one or two keyframe images, on top of up to 7 turnaround and location images (none for those already in the library), 5 chat calls and per-shot narration — the most expensive template here; max_shots on the start node caps the shot count, and shot_seconds sets each shot's length (preset to the length the chosen video model can make that is closest to its default).
Remove background hiss, transcribe the video with timestamps, identify pauses, fillers and repetition, then create a cut plan and a cleaned video while preserving the original. Suited to talks and interviews up to about 30 minutes; split longer footage first.
Transcribe a video sentence by sentence, translate each line, lay translated subtitles on the original timecodes, then dub each line and time-compress it back into its own slot. Pick the target language on the translate step (English by default). The original voice is separated out and the background music kept; a voice separation engine must be ready before the workflow starts.
